Thrilled to be a part of Dan’s album release celebration, kicking off the program with a performance of his multi-movement solo harp piece, Moments. Later, I’ll be joined by one of my music sisters flautist Emi Ferguson for Together, We. Presented by Death of Classical, and for details and tickets, click here.

*Note, there are two performances each night.

Thrilled to be a part of Dan’s album release celebration, kicking off the program with a performance of his multi-movement solo harp piece, Moments. Later, I’ll be joined by one of my music sisters flautist Emi Ferguson for Together, We. Presented by Death of Classical, and for details and tickets, click here.

*Note, there are two performances each night.

“Our world is wounded. All around us we see the cracks. And yet the world is beautiful and blessed in so many ways.” Trinity’s newly appointed Director of Music, Melissa Attebury, will lead the Trinity Youth Chorus, The Choir of Trinity Wall Street (Pamela Terry, alto; Christopher Dylan Herbert, baritone), and NOVUS NY in a performance of Kim André Arnesen’s Tuvayhun. Taken from the Beatitudes, this work addresses those who might be in need of blessing, with music and texts ancient and new that speak to the universality of our experience.

Take Me to the Water heads to Portland with some newer electronic works by Anne Leilehua Lanzilotti and Angelica Negron presented alongside program staples by Alice Coltrane and Nina Simone.

Featuring the Harlem Chamber Players, my debut album Ennanga will be available on all streaming platforms, as well as a physical CD. Released by Bright Shiny Things.

Take Me to the Water arrives on the West Coast! Presenting solo highlights from the show, including my new transcriptions of works by Margaret Bonds, Alice Coltrane, and Nina Simone. Click here for more information.

Soul performance with choir.

Thrilled to joining my friend Curtis for this concert featuring the Music of Perry, Perkinson, and Stewart, co-presented with ChamberMusicNY.

In this perplexing murder mystery from New York Times bestselling author Lemony Snicket, everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. But the composer is still dead.

Perhaps you will be able to solve it yourself. Join the Inspector as he interrogates all the unusual suspects as we listen to words of Lemony Snicket and the music of Nathaniel Stookey performed by the Louisiana Philharmonic Orchestra. Hear for yourself exactly what took place on that fateful, “well-orchestrated” evening.

Debussy sets the program to sail with his anti-symphony La Mer. The best of Ravel will be on display with the rarely performed Daphnis et Chloe suite along with his Piano Concerto for the Left Hand, building up to the finale of Ravel’s Boléro.

The Knights are delighted to partner once again with pianist/composer Aaron Diehl for a concert featuring Mary Lou Williams’ celebrated Zodiac Suite, George Gershwin’s Rhapsody in Blue, and Stravinsky’s Firebird Suite alongside their hallmark rendition of J.S. Bach’s Brandenburg Concerto No. 3.

The Knights are delighted to partner once again with pianist/composer Aaron Diehl for a concert featuring Mary Lou Williams’ celebrated Zodiac Suite, George Gershwin’s Rhapsody in Blue, and Stravinsky’s Firebird Suite alongside their hallmark rendition of J.S. Bach’s Brandenburg Concerto No. 3.

Performing with flautist Emi Ferguson for a spirit-nourishing session of meditation, silence, and sound. For more information, click here. Program is TBA.

Heading to the West Coast to celebrate the release of Danielle Eva Schwob’s latest album, Out of the Tunnel. The evening features solo and chamber works for harp, and performances by the award-winning PUBLIQuartet set to stunning visuals by multimedia artist James Mumford. Click here for more details.

Join me at Seneca Village, Central Park on Juneteenth for a family-friendly celebration of Black culture and accomplishment through music, storytelling, dance, poetry. I’ll be joined by cellist Akua Dixon and percussionist Shirazette Tinnin for a performance acknowledging both what is gone, and what remains of this important Black community.